Hunter Morin, Collecting Bags and Small Rugs, Part 2
This is the second part of a two-part post, that is a virtual version of a Rug and Textile Appreciation program that Hunter Morin
gave at The Textile Museum, here in Washington, D.C. on January 15, 2011.
Part 1 of this program treated pieces that Hunter bought into the Museum for his session. If you have not seen Part 1 you can reach at at the link below:
https://rjohnhowe.wordpress.com/2012/05/29/hunter-morin-collecting-bags-and-small-rugs-part-1/
Part 2, here, treats other pieces that were photographed, subsequently, at Hunter’s home.
We begin with the piece below.
IS6
(numbers “skip”)
Comment on IS6: Caucasian , late 19th century. Great color and design . Harold Keshishian would’ve called this a happy rug .
Here are some detail images of this piece.
IS6a
IS6b
IS6c
IS6d
The next rug had a classic Karachopf design.
IS11
Comment on IS11: late 19th early 20th century . Muted Colors in good condition with original end finish.
Herewith, original and finish, are some detail images of this piece.
IS11a
IS11b
The next rug was a Ghiordes, old, and showing its age.
IS14
Comments on IS14: There’s not much to add, except to say that Mrs. Sullivan from Winterthur and McCoy Jones used to argue over the age of this piece . I think some of the patchwork repairs could be older than the rug itself . My conclusion , And I agree with Mrs. Sullivan is that the rug is early18th century.
There was a time when Ghiordes niche design rugs were seen as the “creme de la creme,” and no respectable Anatolian rug collection was considered complete with one. But these rugs have fallen in favor over time now and I do not know of another example in a local collection.
But, for me, this rug has merits, despite its type and condition, and I have included details of several aspects of it below.
IS14a
Many Ghiordes pieces with this design seem to have miniaturized design elements in their spandrels. The scale of those in this example are satisfyingly larger.
IS14b
IS14c
Cross-panels are infrequent in many kinds of rugs. Turkmen engsis, famously feature them, and some Anatolian designs do as well, including such Ghiordes designs. Again, the larger scale of the devices included in the two cross-panels in this rug add to its attractiveness.
IS14d
The scale of the main border on this example is also pleasingly large.
IS14e
The drawing of the niche and its contents is crisp and detailed and the articulation of the devices at its edge suggest age to me.
IS14f
On one wall was this elaborate Chinese embroidery.
IS21
Hunter said that although this piece has lost most of its original colors, its continuing strength is that it displays a remarkably wide variation in embroidery stitches. This piece was mounted by the Textile Museum years ago when they would do such work . It came from the Belmont estate .
Here are some detail images of IS21.
IS21a
IS21b
IS21c
IS21d
IS21e
In some instances, hints of its former colors are retained.
Hunter said that this piece, and some of the pre-Columbian pieces in his collection were conserved and mounted some years ago by The Textile Museum staff.
The next piece was on the decorative side.
IS26
Comment on IS26: A Hammadan rug , an early purchase that has lived up to its name of providing long life and hard wear.
Here is a detail of one corner.
IS26a
The next rug was a less than usual Caucasian, with strong graphics.
IS30
Comment on IS30: There is not much to say about this Caucasian rug except that it is extraordinary for its bold design ,fabulous color,and terrific border . John’s photographs do it justice.
Here are some closer details of it.
IS30a
IS30b
IS30c
IS30d
IS30e
The next piece was a long rug.
IS36
Comments on IS36: late 19th century Caucasian
Here are two closer details.
IS36a
IS36b
The next piece was an interesting saddle cover.
IS37
Comments on IS37: mid 18th century saddle rug from Northwest version, most likely tag is “Ravar Kerman.”
Here’s a look at some closer details of it.
IS37a
IS37b
IS37b
IS37d
The next piece was this Yomut asmalyk.
IS42
This trapping is attractive, has good color, and is in very good condition, without making any claims to great age.
Here are some closer details of it.
IS42a
IS42b
It is sometimes claimed that a good asmalyk must have an effective top stripe. Although it is not dramatic, this piece has a clear one.
IS42c
The drawing is crisp and articulated and the color use effective.
IS42d
The height of the field devices is not as great as in some older versions without having the “squashed” look of some more recent ones.
The next piece was this Yomut chuval.
IS47
The virtues of this nice piece are better seen in close-up.
IS47a
IS47b
IS47c
IS47d
The colors, despite their relative mildness, and the drawing of this piece suggest that it is older, possibly before 1850.
Another Yomut chuval, below, is younger.
IS51
Its colors are good and it is in excellent condition, including its closure cords.
Here are two closer details of it.
IS51a
IS51b
The next rug was a longer Caucasian, with clear Karachopf design influence.
IS54
Here are two closer details of it.
IS54a
IS54b
There were some pre-Columbian textiles, mounted and hanging on the wall. I managed reasonable photos of three of them.
The first is the one below.
IS63
Comment on IS63: an early pre colunbian bag
A second small piece was this one.
IS64
Comment on IS64: a Doll shirt, 700-900 AD
A third was almost miniscule.
IS65
IS65a
Comment on IS65: a doll shirt , 700-900 AD
The next piece was a front and back of half of a Qashqa’i khorjin set.
IS67
Comments on IS67: Southwest persian, Qashgai bag ,with beautiful silky wool with a Veramin feel
Here are three closer details.
IS67a
IS67b
IS67b
The next piece was the square-ish rug below.
IS71
Comment on IS71: Caucasian, late 19th, early 20th century with beautiful color ,great condition ,and silk in the center of the small medallions.
Here are some closer detail images of IS71.
IS71a
IS71b
IS71c
IS71d
IS71e
The next rug had a medallion design.
IS83
Comment on IS83: Best handle of any rug I have seen. Beautiful silky wool, very finely woven, Southwest Persia , perhaps Khamseh. Possibly early.
Here are some detail images of aspects of IS83.
IS83a
IS83b
IS83c
IS83d
The next piece was a long rug.
IS92
Comments on IS92: late 19th century early 20th century Caucasian rug with fabulous colors
Here are two detail images on IS92.
IS92a
IS92b
The next piece was an Anatolian rug with a medallion design.
IS96
Comment on IS96: an early Bergama rug that has been restored and is reminiscent of a Bergama in the Joseph McMullen collection
Here are some detail images of this piece.
IS96a
IS96b
IS96c
IS96d
The next piece was a small item of embroidery.
IS105
Comment on IS105: this lovely small Turkish piece was in pristine condition until it went through the washing machine.
Here are two closer details.
IS105a
IS105b
With the next piece we return to the Caucasus and a Kazak long rug, with good color, and classic “cloud band” devices.
IS108
Here are several closer details of IS108.
IS108a
IS108b
IS108c
IS108d
IS108e
IS108f
Next is another Caucasian long rug, this time with Talish-type design features.
IS112
Here are two detail images of aspects of this rug.
IS112a
IS112b
Another Caucasian long rug followed.
IS118
Here is one closer detail of this piece.
IS118a
Next, is another Karachopf design example.
IS121
Two detail images of IS121.
IS121a
IS121b
We now move to a small Caucasian rug with a long, narrow shape.
IS134
Comments on IS134: there are some who think this small piece might be Turkish
I took several detail images of this piece.
IS134a
IS134b
IS134c
IS134d
IS134e
The next piece was a departure and seemed old and unusual. I do not have a comprehensive “all edges” photo of it. Hunter believes that it was likely a hanging of some sort.
IS141
Comment on IS141: a masterpiece of embroidery with silver and gold Threads.I have no idea about its origin.
Again, I took several closer details of this piece.
IS141a
IS141b
IS141c
IS141d
IS141e
IS141f
Comments on details of IS141: This piece contains a great deal of embroidery in metallic thread and is in precarious condition.
Note: This is John Howe. I would be interested to hear suggested attributions for this piece.
The next piece was a small Tekke Turkman “wedding” rug.
IS147
Here are some closer details of this piece.
IS147a
IS147b
IS147c
On a nearby wall was a Yomut Turkman “tent pole cover.”
IS151
The next piece was a small Persian mat, most likely from Ferrahan
IS167
I do not think this piece is particularly old, but the rendition of the botehs is similar to that in some quite august pieces.
Here are some details of it.
IS167a
IS167b
The next piece was a complete Jaff Kurd khorjin set.
IS171
Here are some closer details of this piece.
IS171a
IS171b
IS171c
Here is the back of this khorjin set.
IS171d
The next piece was the small bag face, below, with fabulous, silky wool
IS185
We now moved to a couple of Baluch pieces. Here is the first one.
IS152
This piece deserves some looking over. Here are some details of aspects of this piece which utilizes some silk
IS152a
IS152b
IS152c
IS152d
IS152e
The second Baluch piece was this salt bag.
IS156
Again, a piece that merits some closer examination.
IS156a
IS156b
IS156c
The next piece was another long rug.
IS176
Comments on IS176: a yellow-ground border and a field Memling guls. This is an early 20th century Caucasian piece.
Here are two closer details of this piece.
IS176a
IS176b
The next rug was Anatolian with a niche design from Melas.
IS179
Comments on IS179: please excuse my crude repairs . It is in process
Here are some closer details of aspects of this piece.
IS179a
IS179b
IS179c
The next rug is a departure from Hunter’s “Bags and Small Rugs” theme, but I’m going to include it because, at least here in the DC area, some collectors of the sorts of material most of us collect nowadays, also, will, on occasion, collect a Persian “city” rug.
I cannot show you an “all edges” image of it, but can give you a sense of its qualities.
IS162
This is the most comprehensive image of this piece I could manage. My wife’s collie, Effie, insists on inspecting. This is a room-size Tabriz that Hunter prizes. He said that a prominent Washington, D.C. area dealer offered him a large sum for it.
Here are some details of aspects of this piece.
IS162a
IS162b
IS162c
IS162d
We end with the interesting rug below.
S124
This rug has clear “Chi-chi” design aspects, but is different from many Chi-chi’s in that the scale of the devices used in it varies considerably. This rescues it from one criticism of many Chi-chi, that being that their dense, design devices tend to be similarly sized, resulting in lack of graphic impact, even boredom.
The white field devices and the red armatures are relatively large. Even the scale of the blue-ground minor borders is smaller than the traditional “Chi-chi” main border usage and so provides contrast and effective framing of bout the main border and the field.
Here are some details of this rug.
IS124a
IS124b
IS124c
IS124d
This is the end of Part 2 of this virtual version of Hunter’s Rug and Textile Appreciation program.
If you have not read Part 1, you can reach it using the following link: (insert link after publication).
Again, I thank him for permitting me to produce this virtual version, for inviting my wife and me to his home to photograph the pieces in Part 2, and for his considerable editorial assistance in providing comments on his rugs.
I hope you have enjoyed Hunter’s sharing with us, the extensive material in his collection.
Regards,
R. John Howe
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